LOVE HERRRR - Tumblr Posts
After the rush of mythos suddenly losing jobs and finding new careers in new places, some of the more older mythos from decades past came out of hiding. One of which being the Sterling's, the Sterling family either escaped and went into hiding, were unfortunately found and killed, or some of the girls in the family went into raising their replacements. Emily was one of them. A female dullahan with a colt pixy as a steed, Emily was pushed into the role of raising the GNR's next newest prize, the one to take up the name of the railway- Great Northern Greasley. Or who his father nicknamed, Gordon. Emily had been a prominent maternity figure in Gordon's life for his whole childhood, the one whom he happily called mother. When Gordon crashed and lost his wings, Emily was deemed unneeded, but instead of being killed she was given freedom by Sir Nigel personally, he guided her out to a place to hide, where Emily ran off into the night never to be seen again until the passing of the law. Emily wanted to get back into working for a railway again, and she was in luck as Sodor had begun to become a hot spot of mythos still looking to work on a railway. She was accepted almost on the spot when she mentioned she was a Sterling, the Hatt's needed someone who had extensive experience so she was brought on. So then imagine to both Emily and Gordon's surprise when they saw each other at Knapford, and to the other's surprise as well when Gordon informed them that this beautiful lady was his mum.
there are 2 kinds of mangaka when drawing: the ones that hate woman and the ones that love woman
And, guys...
i think ryoko kui really loves woman.
Sandra Oh for Porter
Sandra Oh is a trooper, too: bristling with energy, hyper-engaged, determined to be authentic and squeeze every drop out of life. She doesn’t do many interviews. I suspect their one-sidedness bores her. But conversations, where she can actually learn things about other people, those she likes.
“You’ll have to ask Phoebe Waller-Bridge how my hair became a narrative point in Killing Eve [laughs]. It’s like there’s something free or wild about Eve’s nature that I do think comes out in the hair.”