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Shadow and Bone’s Crows Answer Their Characters’ Most Searched Questions
Jack Wolfe as Gabe Goodman
So I've had a few "Tell me everything!" responses to my recent post about the Donmar Warehouse's stunning new production of Next to Normal. Knowing the audience here, I'll narrow my focus to writing about what I know my fellow 'Six of Crows' fans will most want to hear - Jack's role as Gabe. I won't be recapping the show itself, as I assume most folks reading this will have listened to the soundtrack, read the script, or watched a Broadway bootleg. Or at least I hope so, because below you will find MAJOR SPOILERS for Next to Normal and specifically the Donmar's staging of it.
Gabe is introduced to us as the Goodman's teenage son, who seemingly has a close affectionate relationship with his mother, Diana, but frosty relationships with his father Dan and sister Natalie, neither of whom acknowledge his presence. About thirty minutes in we are shown exactly why. Diana brings out an 18th birthday cake when the family have Nat's boyfriend Henry over for dinner and it is revealed that today would have been Gabe's birthday...if he'd been alive. But Gabe died when he was a baby and Diana has only been imagining him growing up all these years.
Up until this point, Jack has been playing Gabe as a cheeky rebellious teenager, but when he slinks back on stage to blow out the candles on his cake, he becomes a much more ethereal and impish presence. In I Am The One, his expression transforms from sweet and devoted when singing to his mom, to menacing and malevolent when singing to his dad. Gabe manifests as different personas for each member of his family and it's thrilling to watch as Jack shifts between them all. When Natalie comes downstairs to sing Superboy and the Invisible Girl we see Gabe as the cocky conceited older sibling, who seems to revel in being their mother's favorite.
In her next therapy session, Diana is asked to speak about her son and this is when we get Gabe's showstopping I'm Alive solo. This number really did raise the roof. I'll admit when I saw videos of Jack singing it at Tom Kitt's concert, I was worried he wasn't giving the song the necessary attack. But on stage he goes absolutely full-throttle with it. He starts at the top of the stairs with a mic stand, looking like the frontman of a rock band, then he brings the mic down, roaming all over the floor. At one point in the song, Natalie and Dan have an argument and Gabe comes to stand between them, looking amused as he passes the mic between them. However Gabe starts to lose some of his swagger as Diana's doctor suggests that - as 18 is the age that children typically leave home - maybe Diana should think about her son this way and finally let him go.
In the next scene, Diana is in the kitchen, clearing out Gabe's things. She holds up a baby-grow and then starts playing a music box she used to use to help Gabe to sleep. Gabe comes down the stairs with a rucksack and duffle bag, like he's a kid being kicked out of the house by his parents. Diana can't seem to go through with it as she pulls him into a dance and they end up hugging with Gabe's head tucked under his mother's chin, like a needy child. This leads into There's a World, a hauntingly beautiful song with a very sinister undertone as we learn this is Gabe leading Diana towards a suicide attempt. This song and Catch Me I'm Falling are an excellent display of Jack's high range (he'd make a wonderful Orpheus in Hadestown - the UK production is coming next year, so...please??)
Following the suicide attempt, Diana is given shock therapy and consequently loses her memories of the last eighteen years. In the early part of Act 2 and for the song Aftershocks, Gabe is up in one of the upstairs rooms, like he's been locked in a cell - not gone, but no longer able to get to Diana. When Diana finds and plays Gabe's music box, there's this very chilling sight of Gabe's silhouette, his hands pressing to the screen, as he sings along to the melody. The lighting here is eerily reminiscent of a sonogram. When Diana regains her memory of her lost son, Gabe breaks free of the room, comes down the stairs to sing his I'm Alive (Reprise) from on top of the kitchen counter. After his wife's relapse, Dan crumbles to the floor, his back pressed to the kitchen counter. Gabe disappears behind the other side of the counter, and (I'm told, I couldn't see from my angle) he sits in the same position as Dan. They both stay like this for about 15mins while scenes with Diana, Nat and Henry take place.
As Diana leaves, Dan finally rises from the floor and begins singing his I am the One (Reprise). In other videos of this song that I have seen, Gabe is played quite aggressively, stalking around Dan, goading his father into acknowledging him. Jack does this scene very differently and effectively. He stays behind the counter, his eyes downcast, his manner meek as if quietly pleading for his father's attention. When Dan yells out "Why didn't you go with her?!" Gabe leaps up onto the counter and throws his arms around Dan, desperately clinging to him. When they get to the chorus, Dan turns round to face Gabe, gripping his arms. Then at the end, Dan staggers back and tearfully says his son's name for the first time. When Gabe responds with his "Hi Dad", Jack's face his full of shocked awe. He plays it like a child realizing the father he thought hated him, loved him all along. It's a devastating moment that had everyone in tears.
After the song, Dan reaches out a hand towards Gabe, but he stops as Natalie comes downstairs. Dan tells Nat her mother has left and Nat asks him - "So it's just me and you for now?" and there's a hesitation where Dan glances at Gabe, who is still sitting on the counter. When Dan finally answers yes, it's just the two of them, Gabe's expression is accepting, not resentful like earlier in the show. As he leaves to go upstairs, Gabe gently touches Nat's hand, almost like an apology. Natalie gives the slightest reaction, as if she is sensing something. It's a beautiful resolve to Gabe's role, and when he appears for the last time for his verse in Light, he no longer feels like a malevolent spirit, but more like this serene angel watching over his family as they all try to heal and go on with lives.
This is honestly a star-making performance from Jack as a young musical theatre actor. And as much as I want Jack and the other Crows actors to be off filming their spinoff show once the strikes are resolved, I also feel strongly that Jack belongs on the stage. Between his acting, his presence and his vocals, he's sure to be a performer in demand in the West End. Here's hoping there's award nominations to come. He's deserving of them.
JACK WOLFE as WYLAN HENDRIKS in SHADOW AND BONE (2021—)
We all talk about how Wylan was abused by his father, but what I don’t see a lot of people talking about is how J*n didn’t even allow his son to grieve his mother’s loss. At that age, Wylan probably would have only started to grasp the concept of death, and he also needed time to process and grieve Marya’s finality - and J*n wouldn’t let him do either. And to make matters worse, Wylan needed his father there for him during that time and instead J*n just gave up on him. He wouldn't even let Wylan talk about his mother and instead expected him to simply suppress his grief because "it didn’t pay to dwell on the past". This would have done just as much emotional and mental damage to Wylan as his father’s abuse and I don’t know why more people aren’t talking about it.
I NEED TO BE SEDATED SOMEBODY SEDATE ME RIGHT NOW
📸 theatrewithv (ig)
Warm up study turned thing I took the most time on today pipeline strikes again
The way I do have an art tumblr with my art user name but only share art on this one
You know which scene I desperately need to see in the spin-off? The scene where Wylan confesses to Kaz that he can't read. Think about it: we don't actually see this scene playing out in the books - it's just referenced in 1) the scene where they confront Van Eck at the end of Six of Crows, and 2) in Crooked Kingdom after Genya tailors Wylan to look like himself again. I want to see Wylan make the decision to tell Kaz that he can't be used as leverage against Van Eck. I want to see him struggle to get the words out as he confesses his greatest shame to Kaz, and I want to see Kaz just shrug in response because "so what if he [Wylan] couldn't read?" I want to see Wylan completely shocked by Kaz's indifference to the fact that he can't read - the shock mixed with an odd sense of relief and liberation because this is the first step to him starting to accept all of himself. I want to see him agree to being tailored to look like Kuwei despite knowing the risks, and I want to see Kaz being completely taken aback by Wylan's willingness to do so. I want to see Wylan bet Kaz that Van Eck would kill his own child without hesitation, and I want to see Kaz's reaction to how Van Eck is actually a terrible man who would end his son's life without an ounce of hesitation or remorse. Even if it's just a flashback that plays during the ending confrontation, I'd exchange some sort of currency to see Jack and Freddy act out that scene because I just know they'd kill it. (There's a reason why I wrote a one-shot inspired by this scene which you can read here if you're interested :) )
𝕾𝖍𝖆𝖉𝖔𝖜 𝖆𝖓𝖉 𝕭𝖔𝖓𝖊 ꜱᴇᴀꜱᴏɴ 2 ʀᴇᴡᴀᴛᴄʜ #184 ↳𝟸.𝟶𝟽: 𝚖𝚎𝚎𝚝 𝚢𝚘𝚞 𝚒𝚗 𝚝𝚑𝚎 𝚖𝚎𝚊𝚍𝚘𝚠
I am not Okay
Okay but when we get the spin-off and see Wylan apologising to Inej for his father kidnapping her and Inej hugging him and reassuring him that "we are not our fathers" then what?
I can’t stop thinking about how Inej tells Wylan that “we are not our fathers” after he apologises to her for J*n kidnapping her. Wylan has spent his whole life believing that he's the problem, taking responsibility for his father’s wrongdoings due to how much J*n shifted the blame to him (a behaviour typical amongst abusers). For instance, his immediate response to Inej's abduction is self-blame despite knowing that "he couldn’t have prevented his father from double-crossing the crew and kidnapping her. He knew that, but he still felt responsible." The guilt is eating away at him because he's so accustomed to taking the blame for J*n’s actions, then Inej reassures him that he isn't the man his father is and it's like something inside him shifts. Imagine the relief that would have flooded through him hearing Inej’s words: for the first time in his life, someone isn't dumping that responsibility onto him. Instead, someone is telling him that he isn't the problem, that he has no debts to pay, that he's only human and not defined by the faults of his father. All he's ever wanted is to do something right, to not be the problem he's been constantly told he is and believes himself to be. It's as though this suffocating weight he's been carrying with him his whole life has been lifted off his chest and he can finally, finally breathe.
(That's not to say that those words alone heal him entirely, because trauma doesn't work that way - nevertheless, it's a start. It's given him a gentle nudge in the right direction of his path to healing.)
jack wolfe as gabe goodman in next to normal at donmar warehouse
I am what you want me to be And I'm your worst fear, you'll find it in me
Next To Normal - Donmar Warehouse - September, 2023
Taper: @lasagnatrades
Jack Wolfe is one of the best Gabe's I've ever seen and one of the most adorable
Stars: Caissie Levy, Jamie Parker, Jack Wolfe, Eleanor Worthington-Cox, Jack Ofrecio, Trevor Dion Nicholas
next to normal stan’s come get ur juice!!
Jack Wolfe performing the song I'm Alive from the musical Next to Normal.
Such beauty and talent in a single wonderful package. It's almost unfair at that point.
love how jack wolfe is trending rn. not the crows. not shadow and bone in general. just jack wolfe
I'm glad to take this and be able to confirm! Several of my sisters tried to dress him up as Wylan Van Eck! (he did not protest)
In my head, Leo looks like if Jack Wolfe was Hispanic
Happy birthday Jack Wolfe🥳🥰